| | | fishmoon
- music by
axel manrico heilhecker |
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| | Hören : |
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| | Musiker : | | | | | Harald
Grosskopf Bertil Mark Helmut Zerlett Steve
Baltes Axel Manrico Heilhecker |
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| | 1994
,the idea came up, to record a instrumental album, which should be
routed more to atmospheres, than to structural aspects in music.To
accomplish this Heilhecker collected relics of his guitar-laboratories
during his work as producer for Phonoroid, Sunya
Beat, Thomas
Kagermann, Samson
Gassama,or Andreas
Ludwig.
This was done between 1995 and
1998. As a result this album established a visual sound, mainly leaded
by Heilhecker's guitar, but far away from common string-acrobatics.
Most different musical styles and guitar-specific playing-technics had
been dismantled and brought together in new aspects. All
instruments were played mainly by himself this time.
"Listening
to my
album today, i find all influences of my collaboratories in
the
90's very clearly comin' upfront.
For example my work with the,
meanwhile late, indian sitarplayer and music prof. from Benares T.N.
Nagar .
Same as Ravi
Shankar,a
student of Villayat
Khan,
he was a
great architekt and storyteller on his instrument.
No picture - no sound ,this formula always has been
putting a spell on me. Steve
Baltes and Harald Grosskopf, my longtime fellows since those days
,represent the
musical caesura of the late 90's, the moveover from
linear recording to virtual tracking.
Fishmoon ,moon in
pisces
,is analog to a situation of sensitive processes and expressions,
or a time
, when one is not able to lock up from in- and external sensations - a
state of unlimitation.
What started as a collection will
be continued as a conceptional edition and released Nov - 06." |
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| | Presse : | |
| DPRP-
CD Reviews
- 2001 Volume 33
Axel
Manrico Heilhecker
- Fishmoon Country of Origin: Germany Format:
CD Record Label: Think
Progressive Catalogue #: -
Year of Release: 2001 Time: 46:51
Tracklist:
elle De Jour (4.45), One Man Tango (4.20), For Your Pleasure (4.37),
Fishmoon Rising (2.06), Fishmoon
(8.32), Last Picture
(4.59), American Zonata (6.45), Been There Done This (4.58),
Is, Isn't (5.49) Guitarist Heilhecker
worked on projects
like Holo Syndrome, Sunya Beat, Phonoroid and collaborations
with musicians of Ash Ra Tempel. Fishmoon is his first solo album,
although on a few tracks he gets a
helping hand from Steve
Baltes (Sunya Beat, Ashra), producer/composer Helmut
Zerlett
and Bertil Mark. Unfortunately I am not familiar with Heilhecker's
previous work, so I can't compare his solo album to the other stuff on
his resume. Fishmoon is a fully
instrumental
album, centered around Axel's guitar play, which is accompanied
by bass, keyboards and percussion. Many of the rhythms have a rather ethnic
and native feel to it, resulting in an atmosphere that can easily be
compared to some of Peter Gabriel's world
music influenced
work. As a matter of fact, tracks like Belle Du Jour could
easily have been instrumental versions of tracks by Gabriel. The
twangy slide guitar on some of the tracks reminds me of Eric Clapton's
work on Roger Water's Pros and Cons of
Hitch-Hiking, while
at other times the music brings Clapton's soundtrack for The
Edge of Darkness to mind. Another guitarist that comes to mind when listening
to the Fishmoon album is Mark Knopfler, probably because of the
similarity in feel and sound compared to
songs like Dire
Strait's Ride Across The River in tracks like One Man Tango.
Still, the guitarist of which I'm reminded most is one of my all-time
favourites Snowy White since
Heilhecker's playing has that
same bluesy feel to it (e.g. in Fishmoon Rising/Fishmoon,
reminding me of the instrumentals from Snowy's early albums, or in Is, Isn't).
Probably the weirdest
track on the album is Been There Done
That, which doesn't only feature sound samples
from the
'Moby Dick' and 'The Treasure of Sierra Madre' movies, but a
reworked version of the melody from Ghostriders in the Sky as well (you
know, that 'yippy-ah-yeeeeee !
yippy-ah-yoooooo' song). A
heavy dance-like sequencer and percussion loop
accompanies
this remarkable mixture. Elsewhere on the album Heilhecker also
uses other samples. Another interesting track
is Last
Picture which mixes western and eastern influences. American
Zonata, which was cowritten with Baltes, on the other hand mixes modern
dance rhythms with Heilhecker's
steal guitar, creating a
strange blend. Overall I found the album
quite enjoyable.
Most of the time the music is atmospheric and soothing and,
with the exception of Been There Done This, which falls a bit out of
place with the rest of the
album, can both be played full
volume or as relaxing background music. For those of you who
like bluesy instrumental guitar work and world music influences this might
be an album to check out ! The booklet is a (rather
ugly)
simple 4-pager with tracklist and credits. The album will be officially
released on the 1st of September. Conclusion: 7+ out of 10.
Ed
Sander
| | | Eclipsed
"Fishmoon"
ist ein Soundrack 'for the inner mind', dabei von solch einer
Intensität, daß die sich hier auftuenden Bilder nicht lange verschwommen
bleiben sondern sich zu transzendenten und farbigen
Momentaufnahmen verdichten. Das einzige, was flimmert, ist
die fast schon spürbare Hitze. | |
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